Preview

The word 'legendary' just isn't adequate to sum up this most illustrious visitor to the Talbot, a man who's been described as 'one of the premier party singers of all time', and whose musical career spans an astounding 45 years. In 1960 the classic 'New Orleans' was quickly followed by the worldwide hits 'Quarter To Three' and, in 1962, 'Dear Lady Twist'. The gritty blues and soul that characterizes the Jersey Shore sound was invented by Gary U.S. Bonds, and it's the sound that lies at the very heart of the music of Bruce Springsteen, who wrote and produced Gary's 1980s hits such as 'This Little Girl Of Mine', 'Out Of Work', and 'Daddy's Come Home'. Now, two decades on, he's back again, with a brand-new rockin' blues-packed CD, the appropriately titled 'Back In 20', that features guest contributions from friends such as Springsteen, Southside Johnny, Dickey Betts, and Phoebe Snow, and which demonstrates that when it comes to full-on roadhouse-rockin' soul/blues, Gary U.S. Bonds, the original, just can't be beat.

Gary declares that he's keen to play some small, intimate venues on his UK tour - we reckon he'll love the Talbot! It's gonna be a crowded stage - Gary's bringing his full awesome 8-piece (count 'em!) US touring band, complete with horn section and featuring his wife and daughter on backing vocals. If a combination of Springsteen, Otis Redding, Sam Cooke and Delbert McClinton sounds good to you, then this will be a night you'll never want to end.

' ... smiling faces and wrigglin' bodies ... an incredible night of music' - BluesWax

' ... he's showing the world the true power of rock'n'roll is spawned by energy and rooted in honesty' - Boston Herald

'House rocker supreme' - New York Post

** N.B.** This is an extra-high-profile gig for Cambria Arts, and a full-house sell-out seems likely. So be sure to  book in advance  to avoid disappointment.

Review

Forty-plus years ago, I had one of those pre-transistor battery portable radios, in tasteful two-tone blue and grey, with a lid that acted as the aeriel when you opened it up ... you had to get the thing pointing in just the right direction in order to achieve half-decent reception, and then, if you were lucky, through the late-night static, Radio Luxembourg would be playing 'Quarter to Three' or 'New Orleans' by the exotic-sounding Gary U.S. Bonds. Boy, I loved those records, but it certainly never occurred to me at the time that I'd ever get to shake his hand, still less play a privileged part in hosting him and his marvellous full-tilt American band ... but, it all panned out that way, on a night that will surely register with all who were there as one of Cambria Arts' all-time high points.

On the penultimate night of their UK tour, promoting their splendid 'Back In 20' CD, Gary and the boys (and girls) were well and truly up for it - this was a SHOW in every sense of the word, finely honed and full of power, commitment and communication. For well in excess of two hours, they gave a non-stop performance of the kind that only a road-seasoned all-American outfit can, that swung from stomping roadhouse R'n'B to heart-wrenching soul ballads. Mark Leimbach (guitar), Hal B. Selzer (bass), Lance Stark (drums), Jim Wacker (keyboards), and Doug Dehays (sax), augmented by Gary's wife Laurie Anderson and daughter Laurie Jr. on glorious gospel-tinged backing vocals, simply oozed class and authority - Leimbach and Dehays, in particular, served up countless solos of distinction, while Selzer's solo showcase almost demolished the building.

As for the great man himself, Gary's knack of 'working' the audience, developed over a 45-year career and countless thousands of gigs, is an object lesson in charm and persuasion - he drew us all in, had us singing along, and conveyed a tangible flavour of the huge span of his career, and the legends he's met and collaborated with along the way, from Otis Redding to Springsteen, by way of Chuck Berry, Elvis, the Beatles, Little Richard ... you just know you're in the presence of the real deal. For a man in his mid-sixties, Gary's energy is boundless, and the range and power of his voice inspirational. From the above-mentioned early hits to great self-penned songs from the new CD like 'You Can't Teach an Old Dog New Tricks', via songs from his 1980s Springsteen-produced era like 'This Little Girl is Mine', and inspired covers of Ray Charles, Presley and Chuck Berry standards, the man is nothing less than a human jukebox ... standouts were Gary's touching version of Otis's 'Dreams to Remember' (last performed at the Talbot, in markedly contrasting style, by our friend Oh Susanna), and the breathtakingly moving 'Daddy's Come Home', which surely brought a tear or two to many an eye ...

Encores, in the shape of a roaring rock'n'roll medley and a climactic take on Delbert McClinton's 'Roll The Dice', brought this most memorable of Talbot nights to a thoroughly satisfying conclusion. The icing on the cake came the next morning, when the road manager confided to us that, in the unanimous opinion of Gary and the entire band, this had been in all respects the best night of their tour - due in no small part to the enthusiasm of you, the audience. So, like us, please feel free to give yourselves a little pat on the back. We all deserve it.